When measuring your pickup output, please turn the volume on your guitar to the maximum, and play several notes using your usual single-note articulation until it shows “Complete” Then select the correct pickup configuration according to your instrument:Īnd choose a pickup position to begin the matching process. Here we take an LP-style guitar as an example: Please select your body shape to create a match page (you can refer to the graphic to see which type your instrument is). The first step is to match your instrument. If you want to engage this module, please remember to turn the flip switch to “ON”. This is the first stop of the signal flow in shaping your guitar input and matching it to another guitar’s sound characters. The entry point of the Guitar Match is in the middle left of the bottom bar. Please note that you can’t delete factory banks/presets. When you hover the mouse cursor over a bank or preset, it will display the edit and delete buttons for you to delete the bank/preset or change the name of the bank/preset. You can simply drag and drop to copy or move presets to the target bank which makes managing presets during different gigs extremely easy. You can also use spread view to manage all banks and presets. If you click the star in front of the preset it will be stored in the favorites bank where you can find your favorite presets very easily. In the traditional view, you can view by different banks and presets, you can choose from different preset sorting methods, or search directly by name. You can click the preset bar to enter preset browsing mode. The preset save menu gives you options to overwrite the preset / save it as a new preset or share this preset with ToneCloud. It shows the current bank name and preset name, and you can use the left/right arrow to quickly browse through previous/next presets. To the left of the top bar is the preset display bar. Everything you change in scene mode will be automatically saved. You can set them as different scenes in the same preset and switch very quickly just as if you’re using a physical pedalboard. For example, you can use a clean setting in your intro, turn on a distortion pedal when going into the chorus, and turn on boost and delay for your solo. When scene mode is entered, you have 4 scene slots to use: you can turn on/off the effects/amps on the signal path and save it as a scene to quickly toggle and switch from different scenarios in a song. wav files in 44.1 / 48 / 88.2 / 96 kHz, 16bit / 24bit format, with a maximum length of 500ms.Ī brand new feature in BIAS FX2 that fully utilizes our pedalboard style presets is the Scene mode. BIAS FX 2 comes with 3 Celestion official mix IR files as the factory default, and you can also import your own IR files if desired. You have the option to choose between Celestion cabinets or IR loaders. In the Cab module, you can easily select different cab models by clicking on the cab. Please notice that if you want to add delay in the mixer, please pan the 2 paths to L and R in case of phasing issues in your overall sound. You can select each path’s volume/pan/delay in the mixer, and how the signal is split in the splitter. You can click on single/dual to set up a single or dual signal path, if you run a dual signal path routing, it will automatically add a splitter and a mixer in the front and back of the amps. When in dual path mode, dragging the item to the middle of 2 paths lets you drop it into the “middle FX”, in case you want to run the same setting in both paths in the FX loop position. If you want to change the sequence of the signal path, just drag and drop any effect to the place you want. If you want to replace a specific amp or effect in the signal path, simply double-click on the item and the item menu will open, allowing you to choose a new one.ģ. You can either click the green button when the cursor is over the effect or amp, or you can click the LED light on the control panel. To engage or bypass an effect or amp, you have two options.
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